Winter

Coyote Crossing

Two things that I’ve always loved in photography: Black and White, and the square composition. I began in B&W because colour film and processing were costly, and I could more affordably develop my own black-and-white work at home. Later, while shooting with Hasselblad cameras in the ’90s, I fell deeply in love with the square format and its unique way of balancing subjects and negative space. This particular photograph was made with the Fujifilm GFX100RF, a medium-format digital camera that offers the convenient and distinctive option to select film formats and aspect ratios directly in-camera.

Coyote Crossing

For this image, I used the square format and selected the Acros film simulation, a fine-grained, high-resolution black-and-white film, paired with the Red filter option to boost contrast and deepen the blues, particularly in the sky. The image was then further refined in Capture One Pro to fine-tune the overall contrast and gently lift the shadow details for improved tonal balance.

The image below is an example of how this photograph appears when framed and hung on a wall. The photo shown measures approximately 16 x 16 inches and would be printed on Fine Art Matte, Legacy Etching paper—an archival paper with an estimated fade resistance of 400+ years when professionally framed under glass.

Warm Shades of Winter - Fine Art Print

Warm Shades of Winter - Fine Art Print

I’ve photographed this scene many times over the years and most often in the winter when the blanket of snow ‘simplifies’ the composition. I actually photographed the tree in the backgound earlier in the day with my X100T but came back to photograph it again with my ‘big’ D800. I love how the fence line draws the viewer into the photograph and leads the eye up to the barn in the distance. The beautiful Maple tree in the background nicely balances the composition.

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"Face-Off" Limited Edition Print


Limited Edition, “Face-Off” ©2020, Mike Guilbault

Limited Edition, “Face-Off” ©2020, Mike Guilbault

I photographed this on the same morning that I photographed one of my best selling images, “Winter Treeline”, another panoramic image.

I found these two horses in a farm field a short drive away, near Minesing, Ontario. The snow had picked up and created this beautiful ‘layer’ of texture on the overall image. The horses are perfectly sharp, but the varying degrees of out-of-focus softeness of the snow created an almost sureal image.

I have other images of this scene, some including the red barn, but this one of my favourites, although it took me a long time to finally edit it the way I envisioned it.

I decided to make this a Limited Edition, in four sizes, 10 prints of each size:

24” x 6” on Fine Art Paper
36” x 9” on Fine Art Paper
48” x 12” on Fine Art Paper or Canvas
60” x 12” on Canvas only.

Printed on acid-free, OBA-free, 100% cotton fibre
Epson Cold Press Natural Signature Worthy Fine Art Paper
on the Epson Stylus Pro 9900 printer using
the UltraChrome HDR pigment ink set.

Serial #N059-9729.01
©2020, Mike Guilbault, All Rights Reserved